The Online Safety Act has been in the news a lot recently. Ostensibly, it’s to protect children and others from harmful content on the internet. Well, some sites are being a bit over-zealous. I tried to access something quite innocuous, and for the fiorst time ever, it wanted to check I was old enough. This site chose to do so by looking at me and estimating my age. I made sure my boatrace was in the designated ellipse, which it called a circle. It then had the nerve to tell me, “That doesn’t look like a real face.” Well, it’s the only one I have, so I guess I won’t be visiting this site again any time soon. Rude.
Helen flew home after a relatively short but welcome visit, looking good and ready for the next adventure.
Pauline and Andrew returned from their side trip to Thirsk and beyond. They had a splendid time visiting Newcastle and Alnwick and came back with Geordie accents.
Suddenly, there was an exclamation from their room. What’s wrong, Andrew? It sounded like a big deal. It wasn’t really. While staying with Yvonne and Ian, Andrew had hidden the loudly ticking alarm clock amongst his soundproofing clothes. He just realised that he still had it. Pauline consulted her old school chum who revealed that other visitors had merely removed the batteries from the clock!
While berating Andrew for inadvertently stealing a clock, Pauline came across Yvonne’s copy of the English Heritage brochure in her own bag. I told them that in view of their criminal record, I have taken a full inventory of items in my own luxury apartment.
After a leisurely start to the day, we walked over to Didsbury again. It’s a nice walk and I wanted to see the refurbished path on the side of the river that’s been closed to pedestrians for a couple of weeks.
The path used to be notoriously bumpy, with bricks and rubble peppered along its length. It would be nice to see it nice and smooth and flat, like the path at the Didsbury end.

The level of anticipation as we approached the new bit was almost unbearable. I was on my own at this point, as Pauline and Andrew walked along the upper level path, not fully appreciating how important and exciting this new path was. It’s white gravel, not solid concrete or anything and while it’s better than what we had before, I wonder if it will survive next time the river’s in flood?
Then round the next corner, the renewed path came to an end.

Disbelief followed by manic laughter was the only possible response. I guess we Northenden folk don’t deserve the same riverside walking experience as the posh people of Didsbury.
Andrew found a golf ball which he decided to keep, adding it to his collection of purloined items.
And then, just before Simon’s Bridge, there’s another stretch of white gravel to enjoy.

Even the upper level path has been treated, just a little bit.

How good is AI, part 1? I showed this picture to Google, to see whether it could identify the location. I knew it wouldn’t identify the people. But here’s what it said:
The image captures a moment of two individuals, possibly a couple, [true] walking outdoors on a sunny day. They are on a path surrounded by lush green foliage, suggesting a natural setting like a park, countryside trail, [true] or a garden. The man has his arm around the woman, indicating a close relationship. [true] In the background, other people can be seen, suggesting a public area. This image was shared on Facebook with the caption “Me walking into danger”. [Utter rubbish, the similar picture on Facebook is of a total stranger] Don’t rely on AI for anything important.

We stopped for coffee and a snack in Fletcher Moss Park before wandering around the rockery, admiring the plants and the baby moorhens in the murky water.

Some people are so talented, and this woodpecker certainly lifts the mood.

And finally, in this small collection of bird related pictures:

Obviously not a real chicken, but the name given to this fungus that likes growing on rotten wood. Apparently it’s edible and tastes a bit like chicken. None of us were willing to try it out.
In the parsonage garden, we were greeted by another wood carving.

The weeping ash tree was planted nearly 200 years ago, but succumbed to ash die back disease in 2022. The Green Man that has been carved into an old tree stump is believed to be an ancient symbol of life, death and rebirth. The work was carried out by Andy Burgess, wood sculptor, September, 2023.
We visited the Parsonage where we learnt some local history. Shouldn’t laugh, but Didsbury gets its name from Dyddi’s burgh, from a long time ago.
The place has been lovingly restored over the years, the highlight for me being a stained glass window which acts as a sundial, one of only 44 such in the whole country, apparently.

And in the garden, perhaps the mosts surprising thing was seeing late blooming magnolias.

As if the metal heron in Northenden’s Riverside Park isn’t impressive enough, here in Didsbury, there’s an eagle perched above the lychgate leading to the parsonage garden.

We walked home after a quick visit to the Art of Tea café and bookshop. By now, the temperature was a welcome 28°.
In the evening, after a sunny day with clear skies, I was hoping to see, and maybe photograph the thin cresnt Moon just after sunset. Sadly, a band of cloud appeared low in the sky, ruining my plans.
While Pauline and Andrew visited Manchester Art Gallery, taking the bus into the city, I stayed at home to prepare for my own next adventure. The to-do list was successfully tackled, even though for a while, for every item I ticked off, I thought of somegthing else to do.
I did something today that I very rarely do. I went clothes shopping for myself, specifically to acquire a pair of blue socks. Can I just say yet again that the men’s clothes department in M&S is so depressing. It could do with some colour. Even the socks I found are a dull shade of blue.
Later in the afternoon, we all watched some cricket on TV.
Early Wednesday morning saw P&A go out for a walk. I joined the regular, organised stroll and Pauline accompanied us too.
How good is AI, part 2? I saw something interesting, took a picture of it and asked Google, what could it possibly be?

It said:
The object in the image is a puffball mushroom, likely a species from the genus Calvatia, such as the Giant Puffball (Calvatia gigantea) or the Skull-shaped Puffball (Calvatia craniiformis).
Such certainty. But, just round the corner, there was a whole bunch of these things, some of which had burst, revealing them to be wan-coloured balloons.
We enjoyed a coffee back at Boxx2Boxx. Sitting outside, we felt about three spots of rain, but the rain didn’t start properly until after we’d returned home. The threatened thundersturm didn’t materialise, in the end, and I think we were all a little disappointed.
At Pauline’s request, we joined the children and their parents at Piccolo, an Italian restaurant in Didsbury.

This was by way of another farewell meal. Next morning, I was up before 5am, and ready to catch my cab at 6am. P&A were staying at the flat for one more day, before catching trains all the way to Guildford, the birthplace of me and my sister.
Manchester Airport, Terminal 2, was where my next rip to Anchorage began. No major upsets, other than the Baggage Handling system being down, so even though loads of us had checked in online and just had to print our baggage labels and attach them to the bags, we couldn’t just quickly drop them off. In security, we didn’t have to take anything out of our bags before screening, no electronics nor liquids. So civilised. But I had to take my belt off or the personal scanner would have been confused.
The worst experience though was probably walking through the fume cupboard that is the duty free shop with its sickly combination of perfumes. My sneezing fit could probably be heard at my final destination.

The flight to Frankfurt Airport was uneventful but after landing, we had to while for someone to find the bus. The bus ride to the arrival gate was nearly as long in duration as the flight itself.
More stinky perfume in this airport, something that my old Chemistry teacer would have described as ‘Sewer de Paris’. And as if that wasn’t bad enough, the inky stench from the complimentary copy of the New York Times provoked another sneezing fit.
The officers here made it very clear that the extra, unwelcome and unnecessary, passport check at the departure gate was at the instigation of the US Governement. It slowed down the boarding process, but in the end, the flight to Anchorage departed just a few minutes late.
I understand the science, but it still feels weird, taking off at 3.30pm and arriving at 3.10pm, same day, 7000 miles away. The flight was a little bumpy in places, but I noticed from the on-board screen, we were deviating a bit from the planned route, presumably to avoid the worst of the stormy weather.

It took a while, but I finally realised what Condor’s new livery reminds me of. Pippi Longstocking.
It was lovely to be collected at Ted Stevens Anchorage International Airport by Jyoti. In an unexpected and exciting turn of events, she drove me straightaway to Fred Meyer to buy some groceries. Liesel met us here, and while I ran towards her in slow motion, she didn’t reciprocate. Indeed, she was quite rude about my ‘silly walk’.
How good is AI, part 3? I was chatting with a chatbot about some David Bowie lyrics, ahead of me re-starting my radio show very soon (spoiler alert!)
Here is what it said. Yes, there are factual inaccuracies, so not to be relied on:
Here is a list of David Bowie songs that mention specific numerical times, including the ones you noted:
Songs with Specific Numerical Times
1. “Five Years” (The Rise and Fall of Ziggy Stardust and the Spiders from Mars, 1972)
· Time Mentioned: The title itself, “Five Years.”
· Context: This is the most famous and impactful use of a specific time period. The news announces that the world will end in five years, creating the album’s central apocalyptic tension. It’s a countdown that hangs over every song.
2. “Time” (Aladdin Sane, 1973)
· Time Mentioned: “5:15”
· Lyric: “Time, he’s waiting in the wings / He speaks of senseless things / His script is you and me, boy / Time, he flexes like a whore / Falls wanking to the floor / His trick is you and me, boy / Breaking up is hard, but waiting for you is the hardest thing I’ve ever known / (5:15) and I’m still waiting for you, don’t you know?”
· Context: This is the prime example. “5:15” evokes the “angel hour” or a very specific, anxious moment of waiting, possibly after a night out. It’s a time suspended between night and morning, perfect for the song’s themes of anxiety, decadence, and wasted time.
3. “Young Americans” (Young Americans, 1975)
· Time Mentioned: “9:25”
· Lyric: *”**They pulled in just behind the factory / That’s where he, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know /
This is about one-tenth of the regurgitation, so I pressed the Stop button at which point it continued…
he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know / He took her, you know, he took her, you know
This response is Al-generated, for reference only.
I said:
sorry to interrupt but I think the record’s got stuck
It said:
You are absolutely right! My apologies, that response went completely off the rails and got stuck in a very long and bizarre loop. Thank you for catching that -it was a technical error on my end.
Let me correct that and provide a proper, concise answer to your excellent question about specific numerical times in Bowie’s lyrics.
Nah, I’m good, thanks.
So, to summarise, AI stands for Absolutely Useless.











































































































































































































